The Symbol of Modern Architecture. About the Barcelona Pavilion by Mies van der Rohe

  • Ilya Lezhava MARCHI; RAACS

Abstract

The article reviews peculiarities of the architectural and spatial organization of the Barcelona Pavilion designed by Mies van der Rohe and the reasons for its rehabilitation after a long period of oblivion. The analysis of the display shows that the only exhibit item of the Barcelona Pavilion is its architecture and furniture compositions designed by the author. The characteristics of partitions, screens, glass surfaces and the position of transparent walls of this construction are of special interest. The style of the building designed by Mies van der Rohe may be referred to formalism, rather than the traditional European functionalism. The article shows a special role of this construction in the architect’s creative work

References

Bonta, J. P. (1975). Anatomia de la interpretacion en arquitectu resena semiotica de la critica del pabellon Barcelona de Mises van der Rohe, anatomie de la interpretacion en arquitecture Gili. Barcelona.
Gessel, P., Leuthauser, G. (2005). Architecture. The 20th century. Taschen.
Mies van der Rohe. (1952). A tribute to Frank Lloyd Wright. College art journal, 6(1), 41–42.
How to Cite
LEZHAVA, Ilya. The Symbol of Modern Architecture. About the Barcelona Pavilion by Mies van der Rohe. project baikal, Russian Federation, n. 49, p. 168-175, aug. 2016. ISSN 2309-3072. Available at: <http://www.projectbaikal.com/index.php/pb/article/view/1074>. Date accessed: 17 oct. 2018. doi: https://doi.org/10.7480/projectbaikal.49.1074.

Keywords

modular grid; spatial combinations; bearing and invisible partition; functionalism; formalism; Jugendstil; De Style group

Published
2016-08-02