The Symbol of Modern Architecture. About the Barcelona Pavilion by Mies van der Rohe

Ilya Lezhava

Abstract


The article reviews peculiarities of the architectural and spatial organization of the Barcelona Pavilion designed by Mies van der Rohe and the reasons for its rehabilitation after a long period of oblivion. The analysis of the display shows that the only exhibit item of the Barcelona Pavilion is its architecture and furniture compositions designed by the author. The characteristics of partitions, screens, glass surfaces and the position of transparent walls of this construction are of special interest. The style of the building designed by Mies van der Rohe may be referred to formalism, rather than the traditional European functionalism. The article shows a special role of this construction in the architect’s creative work

Keywords


modular grid; spatial combinations; bearing and invisible partition; functionalism; formalism; Jugendstil; De Style group

References


Bonta, J. P. (1975). Anatomia de la interpretacion en arquitectu resena semiotica de la critica del pabellon Barcelona de Mises van der Rohe, anatomie de la interpretacion en arquitecture Gili. Barcelona.

Gessel, P., Leuthauser, G. (2005). Architecture. The 20th century. Taschen.

Mies van der Rohe. (1952). A tribute to Frank Lloyd Wright. College art journal, 6(1), 41–42.




DOI: http://dx.doi.org/10.7480/projectbaikal.49.1074

DOI (PDF (Русский)): http://dx.doi.org/10.7480/projectbaikal.49.1074.1065



Copyright (c) 2017 Ilya Lezhava

Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 International License.