In/Visible Art

  • Marina Tkacheva Baikal State University of Economics and Law; Center for Independent Social Research and Education; Union of Journalists of Russia

Abstract

The article analyses different forms of easel painting, monumental and decorative art and photography existing in modern universities. It observes how the function of art changes in the context of modernization of culture and higher education. The role of initiators of art spaces in universities is also featured.

 

References

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Natev, A. (1966). Art and society [Iskusstvo i obshchestvo]. Moscow: Iskusstvo.

Smagin, V. G. (2008). The Space of creativity. From the idea to foundation of MDI [Prostranstvo tvorchestva. Ot zamysla k sozdaniyu MDI]. Irkutsk: Izdatelsky dom BelLain.

Sogomonov, A. Yu. (2012). Sociology of unobvious. Cultural choice and aporias of the ‘high’ modernity [Sotsyologiya neochevidnogo. Kulturnyi vybor i aporii ‘vysokoi’ sovremennosti]. Moscow: OOO Variant; TsSPGI.

Tkacheva, M. (2007). Art and commerce. Irkutsk version. Project Baikal, 15, 71-74.
How to Cite
TKACHEVA, Marina. In/Visible Art. project baikal, Russian Federation, n. 44, p. 108-111, may 2015. ISSN 2309-3072. Available at: <http://www.projectbaikal.com/index.php/pb/article/view/840>. Date accessed: 18 oct. 2018. doi: https://doi.org/10.7480/projectbaikal.44.840.

Keywords

visual art; design; easel painting; monumental and decorative art; painter; museum; education; artistic perception

Published
2015-05-25