In/Visible Art

Marina Tkacheva

Abstract


The article analyses different forms of easel painting, monumental and decorative art and photography existing in modern universities. It observes how the function of art changes in the context of modernization of culture and higher education. The role of initiators of art spaces in universities is also featured.

 


Keywords


visual art; design; easel painting; monumental and decorative art; painter; museum; education; artistic perception

References


Dubin, B. V. (2004). Intellectual groups and symbolic forms: essays of sociology of modern culture [Intellektualnye gruppy i simvolicheskie formy: ocherki sotsyologii I sovremennoi kultury]. Moscow: Novoe izdatelstvo.

Natev, A. (1966). Art and society [Iskusstvo i obshchestvo]. Moscow: Iskusstvo.

Smagin, V. G. (2008). The Space of creativity. From the idea to foundation of MDI [Prostranstvo tvorchestva. Ot zamysla k sozdaniyu MDI]. Irkutsk: Izdatelsky dom BelLain.

Sogomonov, A. Yu. (2012). Sociology of unobvious. Cultural choice and aporias of the ‘high’ modernity [Sotsyologiya neochevidnogo. Kulturnyi vybor i aporii ‘vysokoi’ sovremennosti]. Moscow: OOO Variant; TsSPGI.

Tkacheva, M. (2007). Art and commerce. Irkutsk version. Project Baikal, 15, 71-74.




DOI: http://dx.doi.org/10.7480/projectbaikal.44.840

DOI (PDF (Русский)): http://dx.doi.org/10.7480/projectbaikal.44.840.827



Copyright (c) 2015 Marina Tkacheva

Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 International License.